Carol Lozove’s artistic practice delves into the intersections of time, latent memory, and the opacity of physical matter, anchoring itself in the principles of transcendental philosophy to investigate the limits of perception and the thresholds of identity. Through a visual vocabulary driven by desaturation, diffuse contours, and the sobriety of a silent existence, where silence establishes an imperative pause in the flow of an imaginary time to recover an inward-looking gaze, the artist projects pictorial surfaces that strain the conditions of the soul in the face of the ego’s dissolution. Her method unfolds through a reverse archaeology, where alchemical rhythm and structural geometry serve as axes for the transmutation of matter. In response to the saturation of visual noise and the formal volatility governing the contemporary landscape, Lozove’s production stands as an intentional manifesto for the retrieval of harmony and structural beauty. Within it, latent forces and tensions are distilled until the tactile thickness and density of matter give body to metamorphosis: the exact instant in which form converts into a flower, emerging over the rigidity of the plane as a definitive symbol of restoration and order. By renouncing immediate clarity and the saturnine appeals of the present, her work consolidates itself as an archive focused on the manifestation of the abundant void and the emancipation of form.